Joan Jonas Movies

Adaptation of an avant-garde play about Rhoda, a hysterical heroine who feels oppressed by the people around her. She suffers through her birthday...

In this experimental film, Borden explores the dynamics among the members of a woman’s group. As she interviews people who know them, such as...

"Commissioned by Dokumenta XI in 2002, Jonas' multimedia performance piece Lines in the Sand takes up two works by the poet H.D. (Hilda...

"Shot vertically and intended to be shown on a video monitor turned on its side, the video May Windows (1976) is a component of the Mirage...

Jonas intercuts scenes of the Nova Scotia countryside with images of a studio set-up reminiscent of a di Chirico painting. The soundtrack includes...

This complex and enigmatic work, which is performed by Jonas and Lois Lane, explores female gestures, poses, the body and narcissism. Mirroring each...

Cast as an “electronic erotic seductress,” the multiple costumes and roles performed by Jonas critically examine the ever-changing, but...

A Jamaican fisherman describes fishing practices.

Moving Off the Land celebrates the ocean and its creatures, biodiversity, and delicate ecology.

2015. USA. Directed by Joan Jonas. 4 min.

2015. USA. Directed by Joan Jonas. Presented as a two-channel diptych: Green Timeline (3:41 min.); Mirror Timeline (3:48 min.). 7 min.

Frenetic silhouettes pass us by.

Jonas's performance piece, an homage to 18th century French outdoor theater, incorporates mythology as well as spontaneously occurring events into...

from Point of View: An Anthology of the Moving Image (2003)

He Saw Her Burning, which is based on a 1983 performance, is a provocative narrative collage, a surreal juxtaposition of two narrated texts. A man...

Two women kiss.

Barking is infused with a sense of mystery, the anticipation that something is about to happen. A car is parked outside a house in a rural Nova...

This film was made in the summer of 2006 in Jonas's Nova Scotia home. It reuses the format of a 1976 film in which the artist recorded herself...

In Mirror Check Jonas uses a small handheld mirror to inspect her naked body in front of an audience. Though her movements were visible to the...

1992/1994. USA. Directed by Joan Jonas. Presented as a two-channel diptych: Berlin Wall (9:39 min.); Berlin Road (9:35 min.). 19 min.